2015 - 2017 • MA Painting, Royal College of Art, London, UK
2012 - 2013 • Erasmus year, Kunstakademie Münster, Germany
2010 - 2012 • BA Animation Filmmaking, KASK, Ghent, Belgium
(Unconditionally accepted for a PhD research programme, but on hold for traveling from artist residency to artist residency around the world) 2017 - 2021 • PhD in studio art, University of the Arts, Chelsea, London, UK


2019 • Identity Liquid, Witte Rook, Breda, The Netherlands
2019 • Linoleum Palace, Cecilia Jaime Gallery, Ghent, Belgium
2018 • Cuckoo Cube, Lamart, Antwerp, Poppositions, Brussels, Belgium
2018 • She, Who Swallowed a Whale, P + F Projects, London, UK
2017 • Drag Race to the Volcano, Light Cube Gallery, Ronse, Belgium


2019 • Two Painters, Witte Rook, Breda, The Netherlands
2019 • Tumult, Gent, Belgium
2018 • CRAVE, De Kantfabriek, Ninove, Belgium
2018 • Proximity Survey, SIM, Reykjavik, Iceland
2017 • Degree Show, Royal College of Art, London, UK
2016 • LP, White Box, New York, USA
2016 • The Art Pond, Fine Art Consult Brussels, l'Etranchement, The Netherlands


2019 • Witte Rook, Breda, The Netherlands
2018 • The F project, Warrnambool, Australia
2018 • SÍM, Reykjavík, Iceland
2018 • Trelex, Switzerland
2017 • Eastside International, Los Angeles, USA


2018 • Sir Richard Stapley Trust, Award, UK
2018 • S.C. Witting Trust, London, Grant
2016 • Selected for the Ashurst Emerging Artist Prize, London, UK
2016 • Royal College of Art, London, Home/EU FT HEFCE Fee Bursary
2015 • Royal College of Art, London, Home/EU FT HEFCE Fee Bursary
2015 • Shortlisted for De Debuutprijs,, BE
2014 • Shortlisted for De Bronzen Uil, BE
2013 • Erasmus Bursary


SONS Museum, Swenters & Bogaerts, Kruishoutem, Belgium
Private Collections


2018 • Visiting artist, tutor and artist talk: Faculty of Fine Arts, Porto, Portugal
2017 • Visiting artist, tutor and artist talk: Writtle University College, UK
2017 • Artist Talk, Royal College of Art, London, UK
2015 • Artist Talk, Literary Festival: Het Betere Boek, interview with Cathérine De Cock, Belgium
2015 • Artist Talk, De Limerick, interview with Cathérine Ongenae, Belgium
2014 • Artist Talk, Literary Festival: Het Betere Boek, interview with Marnix Verplancke, Belgium
2014 • Artist Talk, Antwerp Book Fair, interview with Dirk Verhofstadt, Belgium


2017 • Grandma Medea ISBN: 978-1-9997274-0-6
2015 • De Kunstwereld en ik ISBN: 9789089244093
2014 • Medea en ik ISBN: 9789089243089


• Fenix Complex, Kluger Hans

• Interview with Leef Magazine September 2018: Troost op Doek

PhD Research Blog, University of the Arts London

Art Viewer, SPECIAL FEATURE: Poppositions 2018, April 23, 2018

Art Maze Mag, June 2017, p. 76,77, selected by guest curator: Bree Delian

Artlyst, 28 June 2017, review degree show: Royal College of Art, London, Edward Lucie-Smith

Ham & High, 12 January 2017, interview with Bridget Galton

ELLE Belgique, Exhibition review, August 18, 2016

She-Zine, interview with Natasha Arselan, December 2016

Richmond The American International University in London, interview with Rudy Hakaj, May 2017

PechaKucha, presented on March 02, 2017 in London @ Hassel

De Standaard, 10 November 2014 interview with Cathérine De Cock, and 24 October 2014 review by Mark Cloostermans

Trouw, 11 october 2014, interview with Joost Van Velzen

De Morgen, 11 November 2014, review by Annick Vandorpe

Knack Focus, 23 September 2014, interview with Elke Lahousse

Nomination Bronzen Uil 'Bronze Owl Literary Prize' 2014

Nomination De Debuutprijs 'The Debut Prize, Belgium' 2015

Houtekiet, Publisher

De Zondag, 7 September 2014, interview with Tine Hemeryck


‘Féline Minne unfurls the saga of her forebears with elegance and a lightness of touch. Intense experiences related through sensitively drawn vignettes leave plenty of room for inference. Deeds are not so much explained as observed; decisions are described but not judged. Grandma Medea is a generous novel that conveys the inscrutable web of relations from which we are all constantly trying to extract our sense of self.’
— Sally O’Reilly, author of Crude

‘Féline Minne writes like she paints: impulsively. Reading her novels feels the same as entering her magic realist world of her paintings.’
— Alexis Teplin, Royal College of Art

‘Knowing who you are and where you come from is a prerequisite to life, love and social engagement. If more of us did, then politics would no doubt be very different in the here and now of our global moment. Hats off to Féline Minne for bravely going there with sincerity and optimism and emerging even stronger in Grandma Medea.’
— John Slyce, Royal College of Art

‘I enjoyed reading Grandma Medea very much. Féline Minne is an eccentric pointillist with an original voice and literary talent.’
— Peter Buckman, The Ampersand Agency

‘A moving, witty and yet hilarious coming-of-age novel. It’s a shameless story about a girl who grew up in a selfish and depraved environment and had to figure everything out by herself.’
— Leo De Haes, Houtekiet

‘After reading the first chapter about the kidnapping, I knew I had something special in my hands. The perspective of a child serves as the only defence against the strong and overwhelming characters. Medea and I is a prosperous tragi-comedy.’
— Mark Cloostermans, De Standaard

‘'This debut by Féline Minne takes you on a wild ride through a hippie commune. And her childhood in which she learned how close love and obsession can lie together. A very intense story, a page turner.’
— Dirk Verhofstadt, Liberales

‘Féline describes the
wonderful surroundings of her childhood in a
beautiful, sensory way.’
— Annick Van Dorpe, De Morgen